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And those who were seen dancing were thought to be insane by those who could not hear the music. ~ Friedrich Nietzsche
Grasp the subject and the words will follow. ~ Cato the Elder (or censor) 234-149bc Roman. Statemans, orator and writer.
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Quoteland Fanatic
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εν τούτω νίκα???
"O heaven above me! thou pure, thou lofty heaven! This is now thy purity unto me, that there is no eternal reason–spider and reason–cobweb:—
—That thou art to me a dancing–floor for divine chances, that thou art to me a table of the Gods, for divine dice and dice–players!" ~Friedrich Nietzsche
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Senior Member Quoteland Titan

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quote: Originally posted by Waterlily: By the way, I was just curious. I see all sorts of titles floating around here. What's the difference between a facilitator and a moderator, as far as QL goes?
The Debate Forum only is overseen by 'Facilitators' as a reflection of how that role differs from general moderation of the rest of the Forums. They facilitate civilised exchange in what will inevitably be heated discussion. The nature of debate presumes that passion and intensity is inevitable and good and needing direction rather then extinguishing. It begs a special discernment because as we know, in debate an agressive tirade could be harmless and fun whilst a seemingly innocuous comment can in fact be incendiary. It came about a couple of years ago when the Debate Forum caught fire in a combustible way and nearly brought the house down on us.
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| Posts: 3724 | Location: Brisbane, Australia | Registered: 07-26-02 |    |
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Moderator (Ret.) Quoteland Titan

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Back to the topic at hand: a real question about the site in general.
Workshop was created so writers looking for advice could get it. But it appears to me, coming back after an extended absence, that it is not used much, and that even pieces that are posted do not get much in terms of replies. New pieces seem to be posted there about once every 10 days, and are lucky if one or two members respond.
PPF is for "finished" work, and limited critiques (I'm trying to remember the limited part!). So members offer compliments and are accused of fawning. But - because of the nature of the forum, we're to consider the works completed, and limit ourselves to corrective notes regarding "sticky flow" or a grammatical error.
In general, the quality of poems on PPF has gone up - there appears to be fewer raw adolescent emotional dumps - but I wonder if some writers are posting somewhere else, where "finished" work would still get robust critiques. You can't improve if no one is pushing you for more - I know I can't, and much as I HATE being critiqued, I appreciate and consider the alternate views offered.
So the question (I was getting to it eventually) is: Does the current set-up with workshop/PPF work, or would the site be better and more active without workshop, and with the understanding that posting on PPF opened the door to critical responses?
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Well, you got secrets and scars you hide Well, you got closets with bones inside Well, that's ok baby, So do I I won't criticize Baby, I'll just share the ride
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Member

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Re: The Road Ahead
I have a tiny bit of a gripe here. Why are some people so SERIOUS all the time? Not to single anyone out, because its not just a single poster. I have seen it in other posts too.
I just want to say that sometimes, we just need to see the uniqueness, that free-spiritedness in poetry. Sometimes its like we try to tie it all up into neat little packages. And that's not the way it works. Look at Shell Silverstein. He doesn't always flow, and he rhymes to the point of downright silliness sometimes (I know, he's a children's poet), some would say he's a terrible poet, but he's enjoyable read.
Sometimes, thats just the point. To be an enjoyable, light hearted read. Not to be perfect or Shakespeare. While critque is always welcome, sometimes the 'punishment" (critique)doesn't always fit the crime (the poem).
I think we need to sometimes we need understand a poem's intent. What is the author trying to convey? Is it serious work? Is it something to laugh about? What does the author want to tell us.
Poetry is fun, even when the subject is heavy. I used to tell my fourth graders, poetry is like a mystery and they are the detectives. Sometimes the author has a hidden meaning, and sometimes its obvious. Either way, its the reader's job to discover the meaning.
In the poem in question, I think that whatever negative critique there was about her poem, it was just her illustration to convey the intent of it. Sometimes our poetry is bad, but we can laugh about it.
Enough said. Everyone has a right to their own opinion and this was just my own opinion.
"Our differences are what make us interesting."
"The more I experience the world, the less I realize I know."
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| Posts: 260 | Location: Scranton, PA USA | Registered: 05-04-07 |    |
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No Entiendo Quoteland Demigod

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quote: So the question (I was getting to it eventually) is: Does the current set-up with workshop/PPF work, or would the site be better and more active without workshop, and with the understanding that posting on PPF opened the door to critical responses?
So, basically-- back to a Writer's Club? We had problems with that, too. Critiques were also the same, and often too harsh or unwarranted or unasked for, and it was dying down because of people getting fed up with responses that weren't to their liking one way or the other. [one of the "Writer's Workshop" threads that sort of restates all that.]I also agree with Waterlilly... I've always been a fan of being allowed to post things that aren't very good, but are lots of fun... that I have no intention of "reworking" or turning into a masterpiece. I wouldn't say they were drivel, but they aren't up to par with what I can write. Where does stuff like that go, then? If I don't want to hear that I'm sucking the life energy out of the world? Not on this site? (On a side note, I very rarely get this kind of critique and I have the feeling it's because I've stated multiple times that I don't want them. Maybe it's all as simple as recombining, and stating what it's for in the beginning... "For Critique", "Just for Fun".)
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| Posts: 5311 | Location: America. | Registered: 02-19-00 |    |
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Senior Member

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Yes, it's true that the workshop isn't very active and that very often it is the same people posting there and responding, but the demarcation from the poetry forum marks a no-nonsense clear agreement between the poster and the replier to consent to the criticism they receive. I have never heard of any complaints from anyone regarding any response in a personal capacity from those who have posted there. I think it would be rather tiresome to add a 'please critique' or a 'please don't critique' or even a sticky to the effect that 'those signatories below will not at any time consent to a critique of their work.'
The one thing I love about the workshop is that it gives me freedom to read and critically respond in a personal ('I like this part...') as well in an academic form. It is evident that many people have different ideas of how 'serious' a critique should be, though they should bear in mind that 1) humour is an art in itself, to post something completely frivolous would be to edge uncomfortably close to the realm of the non-sensical (Jabberwocky aside) 2) the recent critiques I made in PF were designed to draw attention to my views here on this thread (see two previous posts).
In essence I say, keep the workshop, and encourage others to use it more- it is a fantastic forum for learning, discussing and most importantly creating!
Stella Splendens December 22, 1985 - March 27, 2003 RIP ...Always.
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| Posts: 1773 | Location: Devon, England | Registered: 02-04-02 |    |
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Moderator (Ret.) Quoteland Titan

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I brought up the issue of basically returning to the old Writers Forum, partially because there is so little traffic on Workshop. Very few people post there, even fewer appear to reply. We split when the site was much busier - the Writing side of QL seems to have slowed to a fraction of what it had been at the time they broke it up. Also, I'm trying hard to keep to the spirit of PPF, but may sometimes have additional comments to make, and feel shackled from asking questions because it is "for finished work." I'll deal tho' - and try to remember that despite my post count, I'm really a newbie on the site again.
POETREEMAN: You have a very specific style, and that's your right. However, it makes understanding your responses difficult when you reply in poems. While I would never try to quiet one's muse, it would be easier for the rest of us if you could actually reply in full sentences once in a while. Think about it - the whole point is communication, isn't it?
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Well, you got secrets and scars you hide Well, you got closets with bones inside Well, that's ok baby, So do I I won't criticize Baby, I'll just share the ride
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No Entiendo Quoteland Demigod

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Well then, maybe we just need some sort of guideline to what clarifies as an "over the line" critique.
I guess my problem with it all is that people so easily step over the lines of what I consider fair criticism.
I mean, there's really only so many different types of feedback...
1. Grammar/Spelling (corrections) 2. Flow/Structure (corrections or praise) 3. Content (corrections, elaboration, request for more.) 4. Personal Positive Feelings (inspiration, laugh, smile) 5. Personal Negative Feelings (dislike perspective or topic) 6. Reference (to something related to the poem) 7. Critiques of Critiques (replies to replies) 8. Poet Comparative
And combinations of those.
I don't think anyone minds #1 or #2. That's a quality issue that QL's constitution even supports. No one really minds #4 or #6, even if they don't really help anything.
#3 is one of those fine lines... I think when JWPublius comes in with a Latin correction, we're all grateful and appreciative of his fair critiques. It's too easy to let this one mix with #5, though. Which, I feel, is really unnecessary.
I feel like #5 ends up being something akin to, "What a silly little topic." or "That's the silliest perspective I've ever heard!" So why bother responding? It neither helps or adds any real merit to our site.
#8 is also one of those touchy subjects. It's the "This is better or worse than your usual stuff because..." I have a personal dislike with this one, though no real dispute over its acceptance in the forums. Mostly because I'm so all over the place with my writing. This is really a matter of relationships. There are some people who can tell me I went above and beyond, and it helps me to know that I'm on a better style... and those same are the only I feel are qualified to tell me when I'm talking gibberish. I think a lot of people feel the need to defend themselves when someone cites their work as "lower quality" than usual.
It's really only #5 I have a problem with, and like I said, it's worse because people hide under the shroud of another style of critique... as if being rude is defendable for any reason. When it very obviously is not.
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| Posts: 5311 | Location: America. | Registered: 02-19-00 |    |
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Member

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To Fair_GwenofAir Thanks, you have said it better than I I like your steps, Those, the ones you pointed out that are negative, I care not test Quote 1. Grammar/Spelling (corrections) 2. Flow/Structure (corrections or praise) 3. Content (corrections, elaboration, request for more.) 4. Personal Positive Feelings (inspiration, laugh, smile) 5. Personal Negative Feelings (dislike perspective or topic) 6. Reference (to something related to the poem) 7. Critiques of Critiques (replies to replies) 8. Poet Comparative And combinations of those.
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| Posts: 155 | Location: SOMEWHERE, EARTH | Registered: 10-10-06 |    |
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Passionate Moderate Quoteland Demigod

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5. Personal Negative Feelings (dislike perspective or topic)I think you will find that this theme is common in literary criticism, and important. It should be dealt with carefully, and without baseless condemnation, but it should be dealt with.
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| Posts: 5612 | Location: Aotearoa (New Zealand) | Registered: 09-22-02 |    |
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No Entiendo Quoteland Demigod

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quote: I think you will find that this theme is common in literary criticism, and important. It should be dealt with carefully, and without baseless condemnation, but it should be dealt with.
I would agree. I think some of the best literary discussions started on the basis that I just didn't like something... a word, topic, speed of reading. Of course, that is a basis for literary discussion, not criticism... a #4 criticism met with silence. On this, I'm not clear with the PPF rules-- if WL's poem on Descartes (sorry to put you on the spot, WL) had led to a civil discussion of Descartes... would it still have been out of line? Rhon was right when she mentioned we have appropriate forums for this now, but then, I'm not sure if it's a bad thing to have a poem inspire a debate/discussion. Aside from that, my argument is that it's often done in a way that is just rude. A commentary/judgment is often made on the writer, not the poem. And when it crosses the line, it's almost impossible for a moderator to moderate. Just like when #4 Personal Positive Feelings becomes "fawning". I went through the first couple pages of this forums and I find few examples of things I consider fawning, or rudeness. I mean, when it gets bad, it's bad, but it so rarely happens compared to days of old that I'm not sure if any of this really matters. It seems (to me) like we have this as in control as we're going to get it. My thoughts on this are less personal and more theoretical so if someone wants this to just... end, I'm okay with that, too. 
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| Posts: 5311 | Location: America. | Registered: 02-19-00 |    |
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